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vjeranski:
“Elizabeth Neel, Remote control, 2010, Monica De Cardenas
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mainmanblackdynamite:
“ tastefullyoffensive:
“ He’s so focused. (via saraboulos)
”
This is so pure
”
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bvddhist:
“tropicri:
“Summer is here
” ”
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bvddhist:
“+
”
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bvddhist:
“+
”
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cwote:
“i’m feeling peachy. what fruit describes your mood?
”
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bvddhist:
“+
”
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bvddhist:
“naked-bl0nde:
“ Perfect day
” ”
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banshy:
“Diablo Lake // Scott Kranz
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Things I love about Aliya’s beam routine.

tsarinamustafina:

The Breath. It’s gametime, hang onto your medals while you can, people.

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The double turn. You know she makes it look easy when the commentators have to constantly remind everyone that it’s a D-rated skill. 

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Splits. Look, both legs. Also, what an acceptable side somi. It’s a compliment, trust me.

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Onodi. There’s a reason why “Aliya’s Onodi” is a thing.

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Acro series. Over the years we’ve learned that acro series don’t just happen to Aliya. She has to aggressively make them happen, like this. Good job! Get that bonus.

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Switch half. Be the change you want to see in the world! Bad switch half club, watch and learn.

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Switch ring. Got back pain? Ugh, just pretend no…

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Balance checks. She doesn’t regain her balance waving around like a commoner. She waves around with straight knees, pointed toes and joint arm choreography. That’s some good technique while waving around. 

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That non-wobble. Did she just wobble after a half turn? Of course not. She avoids the embarrassment by pretending it’s part of her choreography. I believe her.

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The dismount. This is how you stick a landing. Put those feet to the ground and do not move them.

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The smile. She lives for the way that you cheer and scream for her, the applause, applause, applause…

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